The Great Acting Blog: “Keeping Your Independence”

The Great Acting Blog: “Keeping Your Independence”

Gielgud as Hamlet

 

“To be, or not to be, that is the question:

Whether ’tis nobler in the mind to suffer

the slings and arrows of outrageous fortune,

Ot take arms against a sea of troubles,

And by opposing end them…”

 

 

Actors are idealist types functioning in a pragmatic world, they are dreamers in a real world. So, for the actor, life is about balancing off the dreams which fuel him, against dealing frankly with the reality placed before him. Not easy to do in the lifestyle of an actor, where fortunes may fluctuate dramatically – one minute sat home alone, ignored and underemployed, the next, a phone call or meeting which could literally change the actor’s game, and when that meeting or phone call doesn’t change the game, then it’s back to being at home, until the next thing comes along which may not change the game but may offer an exciting opportunity, and so on and so forth …. you catch my drift.

 

So how to survive this emotional roller coaster? Of course, learning to adapt one’s mindset would be a useful but not infallible system to use, and not infallible because we cannot always control what we think. No, the way to handle the situation is to acknowledge that the effect certain events may have upon us is superficial, the effect quickly vanishes, the effect is not real, we need not give it too much meaning. Instead of letting the rollercoaster throw us into a state of flux, or cause us to behave rashly, we should recourse to those things which are permament in our lives, which are profound, which never desert us no matter the situation, but which improve us and make us stronger – we should recourse to aesthetics, ie – to the system of art we have chosen to operate by, to the technique of acting which has become a way of life. Commitment to this technique, means that every single moment of the actor’s life is contributing to his growth as an artist, because eveything he does becomes a practice of the technique, thus refining, thus strengthening and improving the technique, which naturally impacts performance – and the improvement itself, aswell as the act of improving will provide the actor with an endless source of joy, and a healthy self-respect to boot. This commitment will help the actor to endure, over the long term, the slings and arrows which may come his way.

 

So the next time an almost certain victory is usurped by defeat, or you get demoralised by an unforced error, or you receive an outrageously good piece of news, rather than allowing yourself to be ravished by the feeling created in the moment, gently place your mind onto those things which are important to you, and will still remain with you regardless of the situation you find yourself in, and all will be placed in healthy perspective, and you will keep your independence.