An actor should always allow the context within which the scene takes place to do it's work, that is, he need only play the actions asked of him by that particular scene, and need not worry about what has taken place in preceding scenes. One...
Read MoreLast week I published a post which attempted to understand the nature of Michel Piccoli's talent, and, to a certain extent, that post was successful. However, I still felt that I hadn't really done justice to Piccoli and have decided, in an effort to make...
Read More“There are musicians who practice all the time but we actors are not able to do that. We don't have an instrument, except if you say we are our own instrument, and yet I always try to continue searching and working for the moment where...
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"I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, 'Cut!'" Alain Delon delivered great pe...
Read MoreRecently, and by coincidence, I have seen three of John Hurt's major performances: As Krapp in the film version of Samuel Beckett's Krapp's Last Tape, as icy hitman Braddock in Stephen Frear's 80s film noir The Hit, and as the bigotted Old Man Pea...
Read MorePer Oscarsson's performance in Henning Carlsen's Sult is one of the greatest performances in all cinema and a brilliant example of an actor expressing the unfathomable complexity of one man's state of being by performing simple actions scene by sc...
Read More“"It's the cinema I want to see. These are the films I am growing from seed. If we're talking about things like I Am Love, and the work I make with Luca or the work I make with Lynn Hershman, or even the work with...
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