Here are my 5 selections for this year. I based them on the fact that they piqued me in an unusual way, asked me to re-examine my own work, or I saw something in them that I loved, and wanted to define. I have excluded...
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They do not make them like this anymore. “I've always been skeptical of people who say they lose themselves in a part. Someone once came up to Spencer Tracy and asked, “aren't you tired of always playing Tracy?” Tracy replied, “What am I supposed ...
Read MoreI always take great delight in seeing a director's face light up because of something I have done. I don't mean the loathsome ass kissing which goes on, I'm talking about delivering a difficult moment such that it solves a problem the director cou...
Read MoreI recently watched a film which, by all accounts, I should have loved: the precise full frontal camerawork, the pared back narrative, “gaps” in the montage which encourages the viewer to create the film in his own imagination, and I am always inte...
Read MoreRichie Abraham is a cinephile who lives and works in Mumbai, and whose regular comments on this blog have been wonderfully intelligent and insightful, and at times mindblowing. And so it is I am delighted to be presenting The Great Acting Blog's v...
Read More“Nothing in the world can be compared to the human face. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poet...
Read More“ I could have been a superstar in America – I was certainly taken out there. But I said, “no way Jose, I'm not staying here in this madhouse”. So I left and said, “I'm gonna make arthouse films now”. - Charlotte Rampling. Whether you...
Read More"I learnt how to act by watching movies, sometimes up to six a day" - Lino VenturaI first became aware of Lino Ventura when I watched Jean-Pierre Melville's French Resistance masterpiece, L'Armee Des Ombres (Army Of Shadows), where he played a tou...
Read MoreThe acting profession is hopelessly oversubscribed, and it seems the individual actor has little or no control over his ability to construct a body of work. The challenge for all actors is to make themselves heard amid the cacophony. However, the ...
Read MoreOnce in a blue moon a performance comes along which is so excellent it forces me to completely re-examine what it is I'm doing in my own work, and Peter Mullan's in My Name Is Joe is one such performance. Mullan plays Joe Kavanagh, a...
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