Films I Watched On MUBI In 2019 And Gave 5 Stars To
My annual ode to the cinema I love is here. The list is far longer than in previous years, mainly because MUBI offered retrospectives from the likes of Wim Wenders and Hong Sang Soo.
Anyway, I hope you find the list provocative and, perhaps, you’ll be reminded of some old classics too.
In order of chronological viewing
Doctor Chance [F.J. Ossang, 1997]
Frost [Sharunas Bartas, 2017]
The Family [Luc Besson, 2013]
Steamboat Bill JR. [Buster Keaton, Charles Reisner, 1928]
Nobody’s Daughter Haewon [Hong Sang Soo, 2013]
Alice In The Cities [Wim Wenders, 1974]
Kings Of The Road [Wim Wenders, 1976]
Right Now, Wrong Then [Hong Sang Soo, 2015]
Yourself And Yours [Hong Sang Soo, 2016]
The American Friend [Wim Wenders, 1977]
Paris, Texas [Wim Wenders, 1984]
On The Beach At Night Alone [Hong Sang Soo, 2017]
Claire’s Camera [Hong Sang Soo, 2017]
The Day After [Hong Sang Soo, 2017]
The Maidens Of Fetish Street [Saul Resnick, 1966]
Phantom Lady [Robert Siodmak, 1944]
Lisbon Story [Wim Wenders, 1994]
Jeanne Moreau and Luis Buñuel
Diary Of A Chambermaid [Luis Buñuel, 1964]
Belle De Jour [Luis Buñuel, 1967]
Microhabitat [Jeon Go-Woon, 2017]
Le Bonheur [Agnès Varda, 1965]
Vagabond [Agnès Varda, 1985]
The Double Life of Véronique [Krzysztof Kieślowski, 1991]
Norte, The End Of History [Lav Diaz, 2013]
The Lion Sleeps Tonight [Nobuhiro Suwa, 2017]
The Fish Child [LucÃa Puenzo, 2009]
The Duke Of Burgundy [Peter Strickland, 2014]
Mauvais Sang [Leos Carax, 1986]
The Lovers On The Bridge [Leos Carax, 1991]
Adoption [Márta Mészáros, 1975]
Emerald Cities [Rick Schmidt, 1983]
Class Relations [Jean-Marie Straub and Danièle Huillet, 1984]
Purple Noon [René Clément, 1960]
Sweet Dreams [Marco Bellocchio, 2016]
Psycho [Alfred Hitchcock, 1960]
Suspiria [Luca Guadagnino, 2018]
The Seventh Continent [Michael Haneke, 1989]
L’Enfant Secret [Philippe Garrel, 1979]
Only Lovers Left Alive [Jim Jarmusch, 2013]
Paterson [Jim Jarmusch, 2016]
Thirst [Ingmar Bergman, 1949]
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