Donald Wolfitt made a name for himself at the Shakespeare Memorial Theatre in 1936 as Hamlet, and he tried to persuade the management to bankroll him on a tour of the provinces. They declined the invitation, so he withdrew his savings and started ...
I suppose Irene Jacob will always be inextricably linked with Krzysztof Kieslowski, and the two masterpieces she made with him: The Double Life Of Veronique (for which she won the best actress award at Cannes), and Three Colours: Red, which made h...
“I get impatient when I hear dialogue that's just too natural. I write what people would really say and then I artificialize just enough so it becomes a beautiful object”. - Hal Hartley For anyone not familiar with Hartley's work, the dialogue is ...
Please watch this 4 minute interview with Alain Delon, which this blog is a response to. Alain Delon is speaking the truth. How do we know? Because he does not try to sell what he is saying to us, he does not narrate his emotions,...
Boredom Of The Disgust & Monotony Of The Tediousness, is a film made up of a series of scenes but there is no through-action – they are linked because each of them is about cinema itself. The film has documentary scenes (as discussed in Part...
Check out the trailer for our new feature film, part video essay, part fiction. Having completed the documentary scenes for the film, we moved on to the fictional scenes. First up, I was to have an argument with somebody who wasn't in the room, bu...
As I arrived in Cork, the ever prolific and hardworking Rouzbeh Rashidi informed me that in addition to HE, we were to shoot some scenes for another feature film he was putting together (in collaboration with Maximilian Le Cain), and he did so in ...
A large part of our work in Cork took place in a empty office block, which had an endless number of rooms, some of them empty, some of them littered with old paperwork and decaying furniture. The whole place had a weird, eerie psycho-geography, ju...
As I noted in the previous blog, there were no speeches or dialogues to motor my performance because all of that work had been completed in Dublin. In Cork, I only had my face and body and pure physical actions to express myself with. As...